Antwaun Sargent
今秋 10 月，Burberry 携手伦敦萨奇画廊，创意呈献全新摄影艺术展览「新黑人先锋」。展览作品根植于 Antwaun Sargent 的摄影籍册，生动聚焦囊括黑人艺术家在内的黑人群体百态。
Antwaun Sargent 不仅是作家兼评论家，亦为业界知名策展人。在此次展览中，他为 Burberry 打造了专属空间，以新生代视角焕新诠释对身份、美学与渴望的解读。他与 Burberry 合作拍摄了一系列影像作品，让时尚与艺术在这片专属空间中融汇碰撞，迸发出创新与包容的无限可能性，正与他一直以来的核心创作主题不谋而合。Burberry 精彩对话策展人 Antwaun Sargent，带您领略这片艺术世界背后的灵感动力。
Photographer: Chase Hall
Burberry: Your book ‘The New Black Vanguard: Photography Between Art and Fashion’ helped change the discourse of inclusivity in the art space – how did you coin the phrase ‘The New Black Vanguard’ and what does it mean to you?
Antwaun: ‘The New Black Vanguard’ is my way of describing this contemporary emerging cohort of young photographers, all of whom are employing the camera as a means of contemplating the Black experience through the intersection of art and fashion – two industries that have historically been dominated by white narratives. The phrase isn’t restricted to a technical definition but nods to a constantly evolving space of young creatives unafraid to uproot historical conventions. ‘The New Black Vanguard’ is not about simply sparking a moment of recognition for underrepresented artists but for outlining an expansive amorphous space that invites more artists into the discourse.
You’re fiercely passionate about spotlighting Black creatives – what drew you to the fifteen artists featured at ‘The New Black Vanguard’ exhibition who are also featured in your book?
Each of the chosen photographers are rethinking the spaces they inhabit and the audiences they cater or confront. From Tyler Mitchell’s landscapes to Awol Erizku’s staging, there is no mistaking the innovative nature each of these artists narratively invoke through their work.
Through making noise about and space for Black creatives, you’ve already had a profound effect on the art world. What’s your underlying mission?
I have always been interested in engaging with artists that contemplate and confront issues of identity, race, and representation through an array of mediums, genres, industries, even, and artistic processes. It’s about recognising voices that for too long have been overlooked by dominant narratives in the industry and uplifting them in a way that is conducive to the artist and surrounding discourse. That, at its core, has been central in all of my work.
“「新黑人先锋」不仅仅是唤起公众对少数群体艺术家的认可和关注，更意在描摹出一片不被定义的广阔空间，吸引更多艺术家投身于此项事业。”
What do you look for in a piece of art?
When I’m looking at art, I’m looking for something new. I am interested in work that sparks new conversations and opens up opportunities that may have not been present in the past.
What photographers are on your radar at the moment?
Tyler Mitchell, Deana Lawson, Awol Erizku, Renell Medrano and Liz Johnson Artur.
You’ve worked with a host of global changemakers, artists and creators in your career so far – who has inspired you the most and why?
At the moment, I’ve been working a lot with Tyler Mitchell. We just opened two presentations of his in London during October. The first at Gagosian Davies Street and for the second we supported his 2022 Frieze Masters exhibition where he became the first contemporary artist commissioned to show at the fair. It’s been fantastic to witness him articulate ideas through new photographs, works on fabric and mirror, and a new installation, which reflects on historical motifs in the context of an Edenic vision of Black beauty and desire.
What’s the future of contemporary photography?
The future of contemporary photography is young, and with some artists, it’s already here. It’s a future that is not concerned with personal gain but in collectively showcasing a new narrative that rejects all notions of ‘dominance’ put forth by whiteness. It affects and calls attention to the way blackness is portrayed and perceived by Black and non-black audiences. The future is unafraid; it’s insistent; and it demands to be seen.
You’ve long discussed the synergy between fashion and art – where and how do you think they intersect?
I have this intense interest in the ‘in-between’ and fashion and art have always found themselves in conversation with each other. Basquiat walking for Comme De Garcon, YSL referencing Mondrian, Kerry James Marshall collaborating with Grace Wales Bonner. The synergy is decades old, and I have many projects that contemplate the intersection in a way that helps to bring context and history to that space in the art and fashion world.
What’s the best advice you ever received as an up-and-coming young Black creative?
Stay true to yourself.
What is the best advice you can offer to up-and-coming young Black artists and creatives?
Put yourself and your work out there, that’s the biggest step. Don’t be afraid to push back against what is deemed ‘conventional’ or ‘universal.’ These no longer hold the weight they once were perceived to.